I’m not much for contemporary fiction or anything avant-garde, however, I figured maybe I should expand my tastes and try this out. I tried. I really did. I even quit once but forced myself to try, try again. But alas, I just couldn’t finish it. Not my thing at all, and I wasn’t going to make my personal reading unenjoyable just for the sake of finishing it. I’ll save that for school.
Now, the premise is really interesting. Basically, it’s about a house where the inner dimensions exceed the outer dimensions. For example, a hallway appears out of nowhere and seems to lead to oblivion, while there are no outer protrusions to account for the new hall. The Navidson Record is a documentary about the family that lives in this house, and how its shape-shifting qualities affect their dynamics and actions.
Follow me so far? We’re going to switch stories now.
This guy… I forget his name – I’m looking through the book and I still can’t find it, so we’re gonna call him Joe – moves into this apartment that was previously rented out by an old man, Zampano, who died. Among Zampano’s few belongings left behind was a book he had written on The Navidson Record. Joe starts reading this book, which is apparently so disturbing and mind-shattering, and tries to hunt down all the people and references in it. As he does this, he adds footnotes to the pages of Zampano’s book. So we have three parts: the documentary, the book written about the documentary, and the footnotes of the book.
Another interesting thing is the design of the text in the book. This was the main reason I tried reading it, actually. I thought it was really neat. Here are some examples:
I guess the main thing that bothered me though was the third part. As Joe tries to track down the people Zampano refers to in the book, he writes down his escapades in the footnotes, which many are, in my opinion, completely pointless and gratuitous. My own personal impression of the first 100 pages of House of Leaves is a – and you can quote this – thesaurus-aided acid trip with delusions of grandeur.
I did want to find out what was the deal with the house and the Navidson family, but simply couldn’t get past Zampano’s annoying and meticulous analysis of every single glance and sigh from everyone in the documentary, and Joe’s gratuitous tales of drugs, alcohol and hookers. The book in general took itself way to seriously.
Of course, this is coming from someone who didn’t finish it. Maybe it got better in the next 300 pages, who knows? But I had more interesting things to do, like read John Donne.




